Monday, January 26, 2009

When Can You Start Demi Pointe

cows?

We have recently seen cows! Cows! Believe it or not, but I have seen in the last 2 years here, more orangutans, stingrays and crabs as cows.

Have Live, and Google works hard and found out that in Singapore are about 200 farms, I knew that a few farms extra run for kindergartens and schools, and finally to see the also real cows, but that many so "working farms" are, I was not aware of. How should they? Dairy products and meat come from Australia and New Zealand mean, fruit and vegetables from Malaysia, Thailand, rest of Asia and the world. "Made in Singapore" we see more on drugs and ... uh ... intended something else.

cow

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Sanga - spiritual fellowship

The mystique of the football stadium is indeed a gathering, but not Sanga (holy community). The collective delight, devotion, reveling in the sense of community ... it has strengthened me personally, only the desire for being alone.

One feels lonely ... this is the inevitable consequence of a separation of the relationship with Krishna ... The resulting Überlebungskampf in the everyday consciousness is called "his own life."
The desolate isolation from one intensity of a burning nearby. If these burning close to God will not stand, then the attachment in a group is not sanga, but Evasion and avoidance.
social gathering is an effort, as it is not on the inner sole assets at his tread. Sanga is not conviviality and crippling Repealed nature in habit, and not the security in the pack.
truth together based on the ability of all to the inner being single. Is merely the condition of receptivity.

alone is usually regarded externally ... this body is alone and no other body is in sight.
The inner understanding of being alone poses the great challenge: the realization that there really is interested, that one gives up the outside for any perceived orientation. It requires adherence at straws not to survive. And you can completely fall inside the Sri Krishna revealed embarks on a space that one is at first unknown and strange.

Since there is community - connected to everything. There is no natural gathering effort in umschwänglicher joy. No one is a competing dar.
If there someone would cut into a tree, I would bleed here. In this understanding of Sanga, connectedness, we understand the necessity of vegetarianism. As we learn

Community: The wise see the same thing in a humble and knowing Brahmana, a cow, the elephant in a dog and a dog-eater. (Bhagavad Gita 5.18) leads to Samatva

wisdom, equanimity and calm. It is disinteressiert in the evaluations of differences in the changing world.

In those moments you look behind the veil of phenomena, and knows full well: I do not want a career, I do not want riches, I do not want convenience and convention .... The vigil is burning - and you can see far away, in contrast to the changing world.

But then again most have phases where they prefer to sleepwalking, where you want to be like the others. But even in the midst of adaptation in the life of the Convention awakened at some point the desire again, "I want the truth, and nothing else!"

Everyone has moments of waking up - and were again successful in the covers. Thus, driving back to the surface and a small fortune fighting for survival's sake. Then you have professional happiness, success, happiness, travel, happiness, sex happiness, success, happiness, religion, happiness, satisfaction, happiness - all strategies to keep the mask up.
feel the cry for freedom? Infinite freedom - not the gentrified version of it ....
Since we're together. Since starting spiritual community.

Saturday, January 17, 2009

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Singapore Airlines A380

Long before the October 2007 reports the media about the upcoming first flight of the 1st Airbus A380 - Super Jumbo.

I was lucky in December 2007 to be allowed to fly commercially with the A380 to Sydney and I felt privileged and "one of the few".

2000 sorties and 20,000 flight hours later, roughly 18 months, waiting for the SIA to the millionth passenger superjumbo. Now I'm just "one of many". Nevertheless, the flight to Sydney is a unique and unforgettable experience arte. (Has more of the "ship" than "airplane").

A380

In recent days, all the conditions very different headlines to Singapore Airlines: In December 2008, "only" 1, 6 million passengers transported, and this corresponds to 7.5% less than in December last year. The result: 214 flights to Shanghai, Hong Kong, Guangzhou, China, Mumbai and New Delhi will be deleted.

The only good thing, at least for us, is that the ticket prices for flights to 10 European cities be reduced. Perhaps there is something for you here? Click here for site of Singapore Airlines. (5.1.)

Friday, January 16, 2009

Interdental Brush Dentist

karma-yoga

The Art of Acting

Profit is not a destination but a Result, which is available or not and in any case is irrelevant. This is very difficult to understand for a person affected by a society in which profit and success in the outside, the criterion is not whether this life was worth, or.


eat not enough feces after to leave and you can not manure to produce fertilizer.
This is karma-yoga, action where the outcome, the outcome of an effort to be engaged not even big in the field of consciousness.

Even if the result of my efforts do not occur, was then still the work is not in vain, since one of the imperishable available and put it in everything not perishable fruit goes, but only as to the awareness of soul.
The activity becomes a game in the world of forms, where you will not if you are earning as much money, not less, if you were to lose everything overnight. For help property (converted money) and the future in any way his identity. If one gives up his claims that the world must form a happy and fulfilled, then one knows immediately the pleasure that runs through everything in life and is not dependent on circumstances and conditions in the outside world.
then satisfaction is not a short-term congruence of circumstances with my ideas, but a state that has stock in all situations.
Man is free from dependence on the forms of life, in the circumstances. It is no longer the burden of his struggle with the circumstances to carry with you.

non-action

The work itself can become prayer, if it is carried out in the presence of God.
The work is its own answer to the presence of God. And he does, arranged controls, everything. In the exclusion of God as the main actor, it is understandable that people want to squeeze success out of his identity and action. It is impossible to be free from the fruits of action, if one looks to be its originator.
"The confused thinking soul, they would do things that run in fact by nature." (BG 3.27)
Who causes the summer passes and autumn comes? I was this? No one probably thinks that he produces the seasons. The Bhagavad Gita says now that the movement of the body, the activity of nature (under God's guidance) and not myself. The fundamental forces of nature (gunas) move everything in the world. "I wake to sleep, I lie down, I move through life, build a house ..." Because of the identification with the body thinks the soul to be as involved. The Bhagavad Gita speaks of
5 factors of the action (18.14):

-
the body - the senses (even work when the senses, one can be distracted and think in the middle of a talk only of his problems at work, the senses are connected with the attention that they register.)
- the effort (there are fatalists who think it was predestined everything, everything is karma, but otherwise would be Krishna, the soul's not encourage them to act in each moment (3.5)
- the self (The spiritual teaching is complex and not single track. Again and again we hear the statement, see themselves not as the actors, but here the self is as karta, described as the actor. Of course, the soul has free will, desire power, but not the independence to make things according to their wishes. This has only God holds. Confusion would be to regard themselves as the sole actor. One is a contributor. The biggest mistake is to believe, you do everything yourself. In truth, we are like small cells in the hands of the cosmic body.
-daiva (God himself, as observers and permit donor is present in everything. He is the mover of all things (9.10) and directs all the body according to the radius of their wishes. ^

All meditative practices are aimed precisely then, to recognize that is not the mover of the body (Buddhist walking meditation) and not the makers of his thoughts and Moods.
If, in the whole divine arranging is only a small Contribute in it as I want there to raise claims the results?



In admitting to the work in the attitude of karma-yoga is not being split into the duality of action and contemplation, in introversion and extroversion, but it is obedience, she is listening to him and permeability created for him - and that is the key to success, the all Klauber and petty stretching can fade after adding fruits ..
His presence permeates my work. Working in the face of God requires that we work with inner calm and unhurried, out of your own center, completely collected.
who work hastily and want to do everything at once, the escape His presence. He gets perhaps a result in three-dimensional space, but that's at stake is not so. Because the loss of sense of connection with God you can experience even in the greatest possible profit on the physical level as a shadow with, but emptiness.
puts us his all-satisfying presence of even the drama on a human level to the insignificance of what does not lead to indifference toward and devaluation of the physical realm.
"Do your best just to practice, but never to the fruit of the action (the result). Do not dwell on the cause of the Results of your actions.
The result should not be the motive of action, still tend to be passive. "
(Bg 2.47)

" consecration all your actions to me, your mind focused on the Oversoul (which is the real performance of the activity), free from desire for profit (without expectation) and possessiveness ("My feeling") and try you, free of fever (mental stress and tension). "(Bg 3.30)


looseness
does not mean that one should not be active, New learning, exploring new countries, meet new people learn skills and acquire knowledge, physical and mental abilities develops and creates what is called one on this earth.
But in all of it tried the Karma-yogi does not add anything to him. He is not stuck with what he does. He does his work not to become his identity. It projected no hope of fulfilling the outside. Because the original desire of God can not be replaced by converted Ambition in the outside, this disappointing efforts only end in a tense search for more. You think the void resulting from too little. But you can never make up for that with quantity well what you missed at orientation.
There is nothing wrong, and actively engaged in the world are - this is even necessary (Nahi kascit ksanam api - Bhagavad Gita 3.5). The problem is only hope to cling to the activity, which can never be fulfilled by the activity and the result of it. This leads to a disturbance in which we think we still need to do something new in order to plug the hole to have something to add.


A search for recognition specificity which is woven into the work, is what makes the work difficult.
The small bubble of his personal life story will soon pass away, but most people live chained in this self-consciousness of an imagined reality. This means constant need - the fragile sense of self will be strengthened by experienced things in the outside and secured unit. Be it property, reputation to be right, or as a spiritually enlightened being considered. ... All this is confirmation of the identification of role that one is not. A pointless exercise to strengthen the fiction of the ego.
"I am an eternal soul, belonging and expects Krishna" - the game of becoming more by arranging the outer, or identification with the work must be completed, but without the do I stop being active - this is karma-yoga. It is being active, in which it is not practical to Catch up, but only to the space inside where you are as a soul with Krishna lifted effective.
Like everything else in the world - as we interpret our doing one is concerned not just with work but it also comments on what you are doing. And that comment affects all our groundbreaking relationship to work, our mood.

Because you would constantly reinforce his identity through his work and running after the self-affirmation, she calls for.
If they are simply doing as his job as working for the service, and not the recognition's sake, all the grimness and awkwardness of veflöge. In this inner easiness one is even more effective in his work, in which otherwise most of the energy with the flirting on the results and their evaluation consumed.
Often you have intentions in the work that can not be satisfied by the work: They want recognition from others, you would like to be praised and respected and want to prove something that even a little can. These ulterior motives devour most of the energy and the result is always bitter disappointment.
is neglected self-realization that one seeks to substitute the now transient.

For those whose joy is only in the self and the self-satisfied to be alone, and only satisfied in the Self, for him there is nothing more to do follow (it has no more tasks)

A self-realized human being in His action is no intention (he has nothing to gain by action) and also there is no reason for him to perform not the action (it has nothing to lose). He needs no refuge in any other sector.


(Bhagavad Gita 3.17-18)
And so will the concept of work a part of the survival struggle: the struggle for existence, existential fear ... It is not the job of work to be placed in the service of selfish survival and defensive struggle. Most people do work, as well as the slow going, as a drug to dull themselves, to escape from themselves.
For the awakening spiritualists, it is important Consistently to work again at the service of his deep desire for freedom. The only way to work, as is done by humans, are again fulfilling and meaningful.

Karma-yoga is work from the Self. It's not about to accomplish things - that God is responsible and it does its job - but only in a space of encounter to create.


The art of not doing

Most people understand non-doing "hanging around" as "live for the day when unearned leisure. This has nothing to do with the not-doing. It is a matter of giving up inner mental activity. On the outer level means "non-doing" to do what to do.
non-action does not mean doing nothing. This misconception fails to what should be done, and is in internal pressure. Nothing to do everything to prevent anything, to do nothing - this is the downward own ambition. And it very much vitality, creativity and action is born, but will not be invested in a dogged determination in action. Reviewed

is all action in the market by thinking dominated the world with the criterion of success. The shows are not relegated to, integrated, and the ego is the balance of power.


I to be loose, single, free, also means, send away the agents of the power within us that we will convince them of the hopelessness of the enterprise, the supremacy of the incumbents. Ledig are also means to correct the relationship between success and truth.
Karma yoga means that the sensitivity for the truth rather than revive unconscious to be guided by the winners and the winning addiction. Karma yoga is the certainty of the essence in a year-long lack of success in the world. Man
the truth must never sacrifice the success of thinking. Promise of success is not the essential category, whether something should be done or not.
to be free from the pressures of success-have-have to do is a mystical core that appears in spite of the still going further.

Thomas Merton, Trappist monk and a leading opponent of the Vietnam War, noted in 1966 in a letter to the mystical basis of inner freedom:

"Do you not even depend on the hope of success. You have to expect that all your efforts will remain fruitless if possible or the opposite effect. Reckon with this possibility. If you get used to it, you'll focus more and more gradually up to the value on the Richtigsein on the truth of your respective work, regardless of their results. "


Merton advises the pacifists to become free from the need to own to find confirmation in the actions. Then you can open be for God's power that wants to work through you, whether you realize it yourself.
Eckhart says this: I work so that I work. " This action is not fed from a proven track record, but of God himself.

"if your campaign leads to a thousand victories, the heart continues to beat the world untouched." Hermann Hesse

Karma Yoga Karma Yoga teaches

unselfish action without regard to the merit of the act. One should not be obsessed with the result, but without specific intent to act just fine.
always returns you in the question, "Why do I act?" "What's my motivation?" It is always the intention in action, what are the reactions and not the act itself. Most people associate action a desire to achieve something, to earn money to implement ambitions. These are the very attitudes which drive not Karmayogi. He knows everything in God's guidance and the action is for him only the self-yourself-to make them available.
nirmatta matram bhava savya sacchin (BG 11.33) "Will simply a tool of my self," invites Krishna Arjuna. That is a peace and fulfillment that goes much deeper than that enjoy what you have done or acquired.
Sri Krishna declares that in the equanimity in success and failure, in the pleasant and the undesirables in the decoupling of the assessment in the transitory world, the gateway to immortality exists (BG 2.15). It strives not to fulfill their own ideas about how to be the world had, but works solely from a self-giving to the world and to maintain inside the room in which it recognizes itself as immortal soul.
If nothing to gain and nothing to lose, why should we seek still, so why do anything? Just
personal ambitions in freedom is born a pleasure to work for harmony in all (sarva bhuta hite ratah - BG 5.25), to do something with all my heart and full commitment.
is not to depend on the success or the outcome, that is half-hearted. should. But you should what you do, do as good as you can. If you act, you think that everything depends on this effort, but inside we know at the same time in every moment that everything is preserved in higher hands. To plan wisely, think smart and below approach with full commitment and heart to the implementation. Krishna says: "Yoga Karmasu Kaushalam" - "Yoga is skill in action" (Bg 2.50). Who
not constantly thinking of the result goes to work at all, may experience what is called "Flow", an inline, a future cooperation. This is a participation in God.
The word "victim" is derived from the Latin "operari" also by action and work. Every activity should be offering, an offering to Sri Krishna. Separation from reality is meaningless.

Tuesday, January 13, 2009

Belts For Uterus Prolapse

vegetarianism and pacifism

The Greek philosopher Plutarch wrote over two thousand years ago, "was for a bite of meat
we take an animal, the sun and the light and the little bit
life and time to enjoy at which his destiny would be." There is much to be
of animal welfare, human killing, torturing organic meat ... .. a man to torture, starve him and finally kill him, is cruel. to put a man into a "species-appropriate" room, providing him with a TV, good food and books to kill him, then after a short period as is, same wrong - only less painful. Appropriate conditions for the animals is only freedom.
"As long as there are slaughterhouses, there will be battlefields." This was fond of quoting from animal rights activists set by the Russian writer Leo Tolstoy is often dismissed as simplistic world view naively romantic.
It's about the attitude to and treatment of animals as a - look to factor in the horrible, the people themselves (multiple nevertheless not be underestimated!) . Hurt Specifically in relation to armed conflicts, for example, speaks much for the development of military technology has its roots in the confrontation of humanity with the animals, such as the American journalist Barbara Ehrenreich proved. In her book "blood rituals - the origin and history of the love of war," she writes, "The first weapons were almost certainly originally developed to animals and used. The same applies to the tactics of frontal assault and the attack wedge. "
animals that depend on us and we have not done anything to people, perhaps even once were good and sweet, are found in one hell of a slaughterhouse in the back, surrounded by people they do to the most egregious and most horrible things. This is treason in its purest form. And it not only involved are those that make the nail gun or the knife, but all in whose behalf they do so factual - the consumers, serving at the meat counters of the supermarkets.

As long as we wage war against animals - and the food of animals and animal products is
war against animals! - There can be no peace among men. This is what Leo Tolstoy means by his quote.
And this link between our treatment of animals and our
dealing with people is considered accurate, too far from surprising, rather than consecutive. Two examples may illustrate this:
A farmer has a cow, a donkey and some chickens, with whom he lives for months and years "under one roof" and "cooperate" by making use of cow's milk and the eggs of chickens and spans the front of his donkey cart. As soon as his "comrades" but the farmers are no longer useful, he shoots them or chop off their head.
Or the current practices with geese, an editor of the "Salzburger Nachrichten" obviously also still find quite funny: "The geese follow day by day the Keeper full confidence in the quarters for the night. You will soon as trusting as clueless march behind him to the slaughter. "
really Can anyone who tries even close to an unbiased verdict, seriously believe that is such a loyal and heartless behavior toward animals with no impact on dealing with people? writes "ethics to the people and brutality towards animals are two behaviors that are incompatible to"
Robert Jungk, "for cruelty to animals is seamlessly with cruelty to humans."

"The road to Auschwitz begins .. . in the slaughter house "The
might even Franz Stangl, the commandant of Treblinka, can agree. Anyway, he says in an interview with Gitta Sereny (she had interviewed in 1971 in Düsseldorf in a prison Franz Strangl and this interview was then published as a book "On the Edge - Conversations with the Executioner"):

"Years later, on a trip to Brazil ... my train of thought in the vicinity of a
slaughterhouse. The beasts trotted up to the fence and stared at the train. They were pushed very close before my train window, close, and they stared at me through the fence. I thought: Look at this; reminds you of Poland, just as trusting the people there have seen - just before they went into the cans (...) This large, round eyes ... staring at me frankly ... without knowing that they are only moments later they would all be dead. "

Robert Jay Lifton's book in the" Doctors in the Third Reich "says the SS physician Dr. B.
the process of adaptation to the mass murder:
"When you first see a selection .... (...) You see, when children and women will be selected. Then one is so shocked that so ... that can not be described. And after a few weeks you can get used to it. And you can ... anyone explain. Because no one would understand. (...) This can only be experienced .... But I think I can give you an impression: If you ... even go to a slaughterhouse where animals are slaughtered. There is also the smell is one of them ... not only the fact that the animals fall over and so on. You will probably not be able to eat more steak with relish. And if you do it for two weeks every day, then they like their steak as good as they used too. "(P. 180 f.)
This is the principle of dullness, in which a large proportion of the population has grown into habitual and blatant injustice even more than those feel. It does not respond to what should not be. The meat eating is a settlement with a monstrosity - it is against the deeply human wake Conscience to take a fellow creature's life just because some taste buds just ask for it.
Isaac Bashevis Singer, a Nobel laureate, who lost in the Holocaust, many family members including his mother and his younger brother,
writes in the foreword to a book on vegetarianism (p. 232):
"As long as people shed the blood of animals There will be no peace. It is only a small step from killing animals to the gas chambers to Hitler and Stalin's concentration camps.
(...) As long as people stand there with a knife or gun to kill those that are weaker than them, there will be no justice. "
Vegetarian Nutrition is your contribution to peace.

How To Repair An Ironning Board

thoughts on possessions

From a Sufi mystic says, he was on his pilgrimage so disconnected from worldly things was that he carried a cup and a comb with him. But he threw away the cup after he saw a man drinking from his hand, and the ridge when he saw another man using his fingers instead of a comb.

This story points to the never-ending process that leads to the possession of possessions, and the gesture of throwing away is one that exudes something of beauty and liberation. Is merely the condition of receptivity.
once I got a letter from a family man who wrote to me that he had thrown off his car after he had informed on air pollution and CO2 emissions. He needs now almost three times as long to get to work, but felt freer than before. This letter was for me a kind of beauty that comes from a dignity to the soul.
possessions (in Farsi: Faqr) Rumi is home to all beauty.


What is property?
possession often seems like a life-threatening drug that weakens the Judgement. Lust for power, apparent safety and decreasing emergency for the real sets itself with possession, and fear creeps in with every franc, one has to guard it.
The slope of the Striving for possessions are really searching for the rest, because we think if we had everything, it was finally quiet. Paradoxically, however, represent the mentality of owning unrest and fears of losing one. We carry a latent knowledge in us, before which most people defend themselves with great effort: that the possession of things is incompatible with the thirst of the soul and nourishes us in any way, as our innermost being no single point of contact is with the things you may have. There are two types of disaster that not getting what one wants and getting what you want.
If you have achieved everything that we longed for and what the collective is desirable - wealth, Recognition, property, services - is the emptiness. You can tell that they just constantly moves the horizon of his desire. It does not feel satisfied - at least not for long.
In our secular society is lucky to be misunderstood as to satisfy the consumption possibilities (as sense gratification) and will be confused with an infinite "must-have" (greed). The basic desires - property, power need satisfaction are just compensating for the inherent lack of knowledge of an already - given by God - meaning.

will have for example, the dependence of the self. Possession of the owner occupied and impinges on the consciousness which is now only focused on objects. "When the mind is directed to the inanimate, whose dullness is the result." (BG 9:25 and 8.6)

The Own Will, the nude -. And permeability are for God, what actually constitutes a gift, now appears suddenly as a threat to self life easier things of daily use are a kind of seduction through to owner mentality of greed and avarice addiction. Are you a lean and get used to the ankle of the determinateness of circumstances in the outside.

The simplicity of the vulnerable openness fosters in us, the permeability for the Sri Krishna's reality. The anarchy of love maps the structures of the world very differently. They mocked the divisions of society that are based on ownership. It knows no boundaries and convention openings are a sign of their tender way.

What does to the possession of people, is that it is the nakedness in which we are born, destroyed. "I came naked from my mother's womb," said Job, after his property and children were taken (Job 1.21)
property is seeking to have that initial condition, it is a defense to a isolated from the original. The inner path leads to it, remove everything that one could protect the wonders of love. The Do-Do

adheres to a sticky element, namely the fast-growing dependence on consumption habits, without which no longer seems to get along. But as things always convey an emptiness, you think that we should only have more of it. The person loses his distance from the things-use and ownership is dominated by desire, then quickly grows out of a very different life relationship.
The ownership relationship, which assumes a right of the object as a matter of course, became widespread and the result is control. It is the antithesis of everything that is God's gift and the attitude is the gratitude in it.
"For those of temporary pleasure (pleasure) and wealth (power) depend, and whose thinking is distracted by this impermanent, it is impossible to concentrate with a determined will power on the Supreme. "(Bhagavad Gita 2.44)

When the Bishop of Assisi, St. Francis again on his perilous life of penury spoke, he was told: "Sir, we would have something, we should also have weapons in our defense. Hence come the arguments and battles that hinder so many ways the love of God and fellow human beings. Therefore we do not own anything in the temporal world. "
There is a connection line, a causal relationship, between I-claim Property and power.
If the ego is dissolved as a role in the outside, then it is also all claim that one of the world as the "I thought that it would be. Violence is all the energy and effort that you invested to implement the I-thought in the outside world.

will or desire, knowledge, or available, or possession are in a context of "governance" means.

Meister Eckhart mentions in his famous sermon three conditions of poverty "internal poverty": the nothing-Do, the not-knowing and the nothing-Do. be naked.
have meant nothing to dispose of anything as a ruler.

AUTHORITY dependent and destroyed the brotherhood of a group. About wealth creates order and subordination, domination and creates limits and creates war, because those same borders must be defended. Unity, participation and solidarity always mean the rejection of everything dividing, of all that divides life and splits. This is commonly seen, and in relation to nature.
for Francis of Assisi is the fire his brother and his sister the water. This is a stark contrast to what Descartes formulated as our human task, namely to be "maîtres de la nature et possesseurs.



When the poverty and Only be praised and appreciate, one must always distinguish between a freely chosen poverty and are pushed into the people, without being asked. Although there are overlaps, that inherited poverty adopted voluntarily or forced, even welcomed as a gift from God and subsequently to speak freely chosen poverty can arise. The joy
legitimacy on the poverty status of poverty is not.
Just as an ego is necessary to destroy the ego structure to proceed, it probably needs a piece of property, before you learn the throwing away.
How far can go as the voluntary poverty, Dorothy Day, an American anarchist who became Catholic. The city had expropriated the house of her community for an underground railway. Two thirds of the restitution has been paid, but the rest they had to wait two years. The city then gave her the final payment with interest for the delay. She sent the interest money back to the tax authorities with the following letter:
"This is to give back the interest on the money we have received from them recently, because we do not believe in loans with interest. As Catholics, we do not believe in the profit system. People who have a materialistic point of view, intoxicated with success and look forward to monetary gain. We will try to fulfill our duty as we do our services without having to ask our brothers and sisters pay, as Jesus was exemplified by his Gospel. to issue interest-bearing loans as a hostage of the basic culture is considered.
Since the Scriptures teach that loving money is the root of evil, we use this opportunity to live our faith in practice. "

Voluntary Poverty is the condition for credibility in the outer and inner freedom. The coexistence of
Erdlebewesen is so threatened that the resistance against profit - greed and consumerism is not only an ascetic religious calling, but has become a beacon of hope of working together is.
voluntary poverty, simplicity, freedom on the one hand from bondage to things, but also has a cosmopolitan component: in a world that lives in which 2 / 3 of humanity with less than 2 dollars a day, I may wrap it with all that junk? It is always easier to do something voluntarily, when under duress. The release will happen so easily, but the death penalty is then to a terrible struggle.


What is renunciation?
waiver is essential to let go of my imaginary relationship to things in the world that you thought that things could be per se a joy or sorrow.
Umesh has a wife, a son, a close friend, a servant in the house, neighbors and anyone who owes him money. Suddenly he dies ....
The woman is crying bitterly unconscious from the pain, the son, the friend is sad, the servant is insecure - because he might lose his job - and the neighbors sit together at the dinner table and a neighbor informed her husband that Umesh had died today .
A person is happy when he hears it .........

Somehow, doctors Umesh but back to life ..... The woman faints with joy at the son is crying tears of joy, etc. .......

Now the important question arises: Is Umesh the cause of happiness and sorrow?
No, it's just our relationship with him, the joy and suffering generated.

If the external world, the cause of happiness and sorrow? It is only our relationship to it, the happiness and suffering generated. Nearly all mankind is in a war in a battle with the exterior. Simplicity, corrected possessions, our relationship to the world.

believe people to be able to expand by holding their inner trophy collection. This is a hope for fulfillment, which was projected into the outside. On a path of knowledge is not to say that we are to win anything at all, could we still do not have to believe - freedom, happiness, peace, silence.
But, it is anything to lose.

The psychotherapist and sociologist Erich Fromm (1900-1980) In "To Have or being" made a distinction between ownership pertaining to the use or "functional", and the mere possession, has no practical value, but the social status of the ego, securing the future or who Autonomy is pure greed.
identity can not be compensated with ownership.
The loss is associated with the pain of parting with the pain of losing and of being lost, with loss of identity, which is precisely happened to these things and where we hold and orient ourselves. We have no positive relation to the moment of loss.
We are like beggars on their last shirt , Want to hold in reality but in a kingdom of abundance, we can recognize, because we are so busy to fight our last shirt.
of Knowledge is always a path of conscious and completely accepted losing.

The willingness to lose everything is not something external. That would be a trivialization. Children give up, partner, residence, all their possession, occupation and all the collateral - that is not even the forecourt of the internal dissipation at issue is essential. It is the loss of all that we might call "me" and knows "my" and acceptance. This is the old world, people are not ready to leave, because they follow the old teachers of fear and uncertainty - the fear of the infinite void, if this identification role is no more.
By Francis of Assisi once said: 'Every kingdom a thief or a thief heritage. " The word of the French Enlightenment and the cornerstone of Marxist philosophy to modern times, 'Property is theft', has a venerable tradition.
Saint Francis put it more precisely: 'By the property of the people will fight and make the love of God and neighbor prevented, it is harder from the palace, but to come out of the cabin in the sky. " "Jesus Christ himself
called absolute poverty," Will you be perfect, go, sell what you have and gibs the poor, and thou shalt have treasure in heaven: and come, follow me "(Matthew, 19, 21-24) Even with the release of the twelve Apostle he told them
"Fill your belt not with gold, ¬ silver or copper coins Carry no bag is on the way, no other dress, no shoes, no bar, because the worker worthy of his hire you coming but!. in a city or village, then to ask who it is worthy. stays there until it moves on [...] Behold, I send you as sheep among wolves [...] "
Matthew 10, 9-16.

goods be brought quickly into the status of a surrogate identity.
The simplicity also has a practice-related page, because the trashing of property, the use of things around you are less complicated if the property must not replace missing parts of the personality. Learning to make do with less time and energy releases for the essentials. Our relationship with things is more relaxed and you can see everything around you as short-term leave to when hired. Is freely chosen way of life and possessions is not poverty, but not be obsessed with possessions. Single.
The madness of many radical traditions ownership of critical points to this celebration leap to freedom.

All in this world we have been lent, not given. So you go with the things around in concern and compassion, but without claiming ownership.


be concluding, I would like this little observation with a prayer:



Dear Krishna
If my practice of renunciation and contentment in yearning for the essence, for you, again sparked a whole new life-enhancing power is released:

allows the disclosure of the superfluous to me now a guide to the essentials.
frugality and consequent simplification of my existence by breaking my state, in which just needs provided only as a habit must be, and the obtaining absorb me so, so clouded in me the very basis of my discontent

as possessing a human being I've become a person who is busy.
standard of living, property, comfort and worldly relations are the "skin" of my happiness has become, in which I am used to hug me.
is why the discovery for me so amazing to notice that I was never so happy as in those moments when I deleted all of this and I "skinned" quite immediately get back into touch with the reality of my soul.
I will now let go of what occupied me where I have brazenly taken possession claim for goods, yes the are your really to be free from the spell of care for goods that block the depth dimension of my life.
Available for reality.

Monday, January 12, 2009

Poems For Money Bridal Shower Invitations

pro tips for great panoramic views


12. January 2009, 09:39 clock
DIGITAL PHOTOGRAPHY
pro tips for great panoramic views

to tinker For each photo a powerful panorama, which requires some basic knowledge. Professional photographer Michael Freeman explains what stitching, how to make a 360-degree panoramic view of a single image, and how transitions between images succeed clean.

technologies that claim to promote creativity, I am naturally skeptical. But in the case of multiple images Anstückelns (jargon "stitching") I make an exception.


For a variety of frames of several sequences of eight images were selected to this panoramic impression from the studio of the Chinese artist Shao Fan to make


The technology behind this very simple concept has dramatically during the last few years. Basically, stitching nothing but the combination of several overlapping images into a single, larger picture.


stitching software has the analog days, almost unthinkable in the process of joining together of 360-degree panoramas or large images of several individual shots as easily never done before. These opportunities offer an inexhaustible creative potential and have even found their way into the art of photography.

Huge images create

The assembly of a single, huge image of many individual images increases the resolution of the final image. Rather than take a subject with a focal length of 50 mm, zoom simply approached 100 mm detailed and bright, overlapping areas of the image from. The end result is an image file, which is four times as big - as if it had been made with a camera that has a much higher sensor resolution. In the analog era it was forced to switch for high-resolution images on an expensive large-format camera. Even today you can outrageously expensive digital backs with 15 megapixels or more to fall back - or you simply multiply the resolution of your current camera through the use of stitching. To do this, divide the scene into several segments - the longer the focal length, the more segments. This allows a multi-telephoto image file can be huge in size - to expect do have a look.

A 15-mm lens on a DSLR with a full image sensor covers a viewing angle of 110 degrees, which corresponds to a real wide angle shot. Now imagine the same scene with a 120 mm lens in front, divided into small segments. The 20 degree full view of the telephoto lens can be divided into 64 segments, which results in regards to the necessary areas of overlap around 100 frames. If you use a 10 megapixel camera would end up with a picture file with the dimensions are 31 000 x 21 000 pixels. This corresponds to a virtual camera with a 640-megapixel sensor!

In practice, however, you must face some serious drawbacks. First, does the Anstückeln much time and patience. Second, it is almost exclusively for static subjects. And thirdly, you need an extremely powerful computer, perform the necessary processing steps in a reasonable time to - the above example would result in a two-gigabyte image file by itself.

Nevertheless offers stitching at all times when a higher resolution is required. All you need is time, software and a tripod head that allows you to rotate the camera around the virtual focal point around, so that perspective distortions are minimized.


A single shot of the skyscrapers of Pudong in Shanghai, were taken with a focal length of 80 mm on a 12-megapixel camera (4100x2800 Pixels).


nine overlapping frames of the same scene with a focal length of 200 mm give a picture file with 15 300 x 4000 pixels - equivalent to a resolution of 61 megapixels.

panoramas

panoramic images are the most important application for stitching software - not surprising, because the results are exciting and impressive for many reasons. Panoramic images are much wider than high, and there is no absolute benchmark for aspect ratio are - generally, anything over and above the 3:1 format, be regarded as a panoramic. Why panoramic images are so popular? It is possible that the same cause as the popularity of wide-screen formats in film and television - we are used to scan large-scale scenes such as landscapes and horizontally to explore in this way with our views. Panoramas provide a superior feel for the real sight of the shooting scene. Here there are no limits - even 360 ° views are possible by a full rotation of the camera.

can in terms of image composition, you can learn from the way the cinematic. A popular approach is the "pulling apart" of the composition in the width. Unlike the conventional 3:2 format of digital cameras, you can easily format panoramic two or three motifs combine in an image. The integration of the dominant foreground helps give more depth to the panorama to the eye and reveal even more details to explore.

panoramas work best across a large depth of field over the entire distance, so you should focus elements are avoided.

An important side effect of the stitching, the resulting, large image file with many details and much higher resolution, so that also be worth the high-format photography can. , To determine the long axis of the image height of the panoramic image. The only problem with this approach is the correct tripod mount - I personally prefer an L-shaped mounting on a tripod head with quick release.


Michael Freeman

Asia's largest LCD display is mounted on the ceiling of a shopping center in Beijing. Their size and position require a strong bent angle, so that the final image has a strong image distortion curve, the surreal impression of the scene reinforced.

The circular house of the Hakka clan, Tulou called, is located in the Chinese province of Fujian. make His great extent and the limited viewing angles make it an ideal panoramic image. With a focal length of 18 mm, I made five separate images in portrait mode. A second sequence was used to increase the depth. find

ideals overlap areas

is the stitching via software in three steps. First the program determines the matching pixels in the overlapping areas, so that the frames are strung together seamlessly. Second, the levels of the images are aligned. And thirdly, all source images are fused into a whole.

this step one can be run properly must include the overlapping areas enough details so that the software can easily identify the points of intersection. Ideally, you have to make the source images with small overlap areas to not have to make more images than necessary. Sharp and clearly identifiable image elements of the software easier to interpret than homogeneous areas without major differences such as white walls or overcast sky. An overlap of about 40 percent between images is usually sufficient, and it depends on the level of detail of the scene. I even facilitate my work, as I always the source images by half the image width to overlap. In practice this means that an object at the edge of the first frame in the middle of the second recording reappears. Since I always take pictures in this way, I go quite fast panoramic series of hand - I must make during the recording not worry about the size of the overlapping image regions.



The four source images from this installation in an art gallery overlap by about 40 percent. In each region of overlap there are enough details on which can guide the stitching software.

The consistency in the scene eighth

The second step is the stitching procedure, as described on the last page, the mesh screens of different source images, with both the levels and the colors are aligned. An identical on all the frames white balance makes the software work immensely. This also applies to other settings, including the exposure time. For this reason, you should turn off the automatic mode, the camera and make the necessary adjustments manually. A screen test helps you determine the correct values for all frames.

As in 360 º-degree panoramas usually one or more light sources are included (especially outdoors on a sunny day), could in some source images cropped lights or truncated shadows creep - the dynamic range of the camera is exceeded. The solution is to make multiple images with different exposure for each frame to be assembled later into an HDR image.

As so often, is also recommended for the panoramic photography, the use of the raw file so you can make the necessary corrections directly in the raw converter. An interesting technique is the progressive variation of the color balance over the panorama of time - for example in the area of a window with the setting "Daylight" and toward the interior, using the "artificial light". The stitching software then displays the different images together seamlessly.

This example demonstrates an approach that from the principle of identical white balance different.
The four source images were in raw format, customized with automatic white balance, so that the color temperature is changed from left to right (1 = 5500K, 2 = 4500K, 4000K 3 =, 4 = 3300K).


The reddish discoloration on the right side of the window was removed in the image processing software by replacing colors. By comparison, a recording with the same white balance (tungsten). determine

the virtual focal point

Normally, the software does the overlap of two images a good job by making the necessary, compensates by different angles resulting distortions. But when it comes to Parallaxverschiebungen that may occur through minimal changes to the camera position, possibly resulting ghost images of objects in the foreground. Of course the camera must be the making of a Panorama series moved - but only about its axis of rotation. And this axis must deal with the virtual focus of the lens are in harmony. This focal point is like the optical center of the lens (which may not necessarily be due to the lens elements in the physical center of the lens). With a zoom lens, this point moves with the focal length.

can with a simple trial and error method, this point for each lens Dashboard. Panorama supports for tripods can be fixed to certain positions. If the virtual focal point covers exactly with the rotation axis of the bracket, there is no Parallaxverschiebungen. See the viewfinder two closely spaced, vertical contours, which should be a close and the others are in the distance. Turn the camera and keep the distance between the two contours in the eye. If this distance is significantly changed, move the camera a little forward or backward, so that the distance remains the same after rotation. This is very good to see from the example panoramas on this site.

Figures 1 and 2 were made at a focal length of 14 mm for the determination of the virtual focus. Figure 3 was used as a reference. The distance between the drainpipe and the window frame in Figure 1 indicates a significant Parallaxverschiebung, which was eliminated by moving the camera forward and back.

is the virtual focal point of the lens exactly on the axis of rotation of the tripod-mounted panoramic bracket.


URL: .

Sunday, January 4, 2009

Pokemon Soul Silver Jap Rom

Danga City Mall

From Monday there will be a new Zugverbingung: Singapore - Danga City Mall . That's right! From Singapore directly into the newest mega-shopping mall in Malaysia. Just 2 km to the border and 50 minutes from the city center.

The number of shopping malls in Singapore is really non-small! Some are also still huge. One can almost hard to believe that are from the 3 current mega-sites soon more mega-shopping malls.

The majority of tourists come to power shoppers in the city. About 9 million each year. Such admissions would have loved the great neighboring Malaysia, specifically the town of Johor Bahru, shortly after the border. But unfortunately, 'JB' not very attractive and therefore not very attractive for foreign money bag. But we'll see. Once I would like to make this day trip. Finally, I need info first hand.

danga_city_map

Free Powerpoint Templates Testicle

priorities: more highlight detail from digital photos to get

priorities: more highlight detail from digital photos to get

Digital cameras have replaced in the consumer area Knips with film loaded miniature cameras almost completely, while in amateur and professional sector is still some resistance fighters swear by the chemical way of life. Even digital cameras have certain weaknesses that is against the shooting on film. Which will highlight the priority mode of new Canon SLRs meet, the more Dynamics without HDR multiple recordings and the work involved promises.

Mit ISO 100 normal belichtete Aufnahme. Das Gelb des Kirchturms ist in der Sonne etwas ausgebleicht, die Wolkenzeichnung am Himmel schwach. [1]
With ISO 100 normally exposed shot. The yellow of the tower is slightly faded in the sun, the clouds in the sky drawing weak. Vergrößern [2]

the exposure latitude and tonal range of negative film is still regarded as unmatched. In particular negative film responds to over-exposure (including a particularly light parts or "lights" in the subject) with a gradual "zadelka" or a flattening curve. Digital cameras tend to contrast more or less violent, "cutting off" the lights, or "clipping" called - or in photo lingo: erode. In less extreme cases, just only the "light drawing" such as a sky pale and inconspicuous. Other hand, can be done but a lot - with special recording techniques and, where appropriate, in a photo editing program.

cope better order the implementation of high subject contrast in a well-drawn picture today like HDRI (High Dynamic Range Imaging) is used - that's only case of stationary scenes and requires a great effort in the recording - usually several differently exposed images a tripod. If something moves in the picture, creates the problems.

Mit ISO 2oo (HPM) belichtet. Das Gelb des Kirchturms ist etwas satter, messtechnisch findet man in den Lichtern etwas niedrigere RGB-Werte. Der Himmel erscheint kaum verändert. [3]
With ISO 2oo (HPM) is exposed. The yellow of the bell tower is a bit rich, measurement technology can be found in the lights a little lower RGB values. The sky appears to be little changed. Vergrößern [4]

But there are other ways of tracing more than usual, extract from a digital recording. For amateur photographers provide the latest cameras from Canon, the EOS 40D and the 450D called a so-called HP-mode (highlight priority mode or HPM), also called "Tonwertpriorität" in the German language version. The effect of this recording is, however, with a gain of an aperture stop in the highlights relatively low and not dose. For this work They finished with the camera coming from JPEG images without any further post-processing and without these lenses when shooting or something else would have to consider.

arise generally softer photos. Among the tested RAW converters dominated this was only Canon's in-house Digital Photo Professional (DPP). The same can be achieved with deliberately underexposed images in RAW format and subsequent image processing with appropriate Tonwertausgleich.

The ratio of the brightness in a scene - or, more photographs, the object contrast - can be very small - about 1:100 or even considerably less (it's weather, fog, paper documents), but also extremely great, eg in sunlit landscape, which is adjacent to a shady forest, or in backlit situations: Contrasts of 1:10,000 and 1:100,000 or even more are possible. The latter contrasts the human eye can not detect "simultaneously" (overall, his play between successful adaptation in the moonlight or the sun in the snow scene a million times). A landscape design with sun behind the other hand, can move at "normal" range 1:500 to 1:1000.


Perceived contrast

photo paper itself can only brightness range 5-6 f-stops (contrast 1:32 to 1:64) play between paper white and maximum darkness. The art of drawing photos or prints, then, lies mostly higher exposure to curtail the scope of the recording so or "bend" to that a high contrast image is produced and acting in forming important parts of both light-and shadow detail still present. Monitors can contrast some. 8-10 f-stops constitute (1:256 to about 1:1000).

Mit ISO 100 aufgenommen, aber in Photoshop mit diversen Funktionen bearbeitet. Lichter und Himmel zeichnen deutlich besser, besonnte Kirchturmfläche wurde etwas zu rötlich. [5]
taken with ISO 100 and processed in Photoshop with various functions. Sky lights and draw much better, sunny tower area was a bit too reddish. Vergrößern [6]

Since dealing with these large and Exterm different speed ratios is impractical and not very clear, use a logarithmic measure, the exposure value (EV) or English "exposure value (EV), a difference equivalent to 1 between two light levels (eg between 10 and 11) by 2 and is also referred to as "one stop". Instead of the change in aperture of f eg / 8.0 to f/5.6 to double the exposure time, about 1 / 250 second to 1 / 125 s. So you could just as easily speak of time periods. A level "+" always corresponds to the doubling of the amount of light a stage "-" to halve.

changing the camera's combination of aperture of f / 8 and the speed of 1 / 250 sec "same direction" to f/5.6 and shutter speed 1 / 125 sec, then one has set a change of two "stops" or EV values and thus a quadrupling of the effective "amount of light." An "opposing" change from baseline to f/11 aperture and shutter speed 1 / 125 sec or f/5.6 and shutter speed 1 / 500 sec is, however, the same exposure. The aperture numbers themselves have to specify a ratio of 1 to (root 2) or 1:1,414 per f-stop, since it is the ratio of focal length to the effective light transmission area. doubling the diameter of the aperture, quadrupled the amount of light the aperture, the ratio of 1:2 (eg f / 4 or f / 8). Therefore, cover this area the "stops" 4, 5.6 and 8 from.

slide film has an exposure range of about 6 stops (Helligeitsverhältnis or subject contrast 1:64) - significantly less than that which provides a digital SLR, the current models in amateur and mid-range now at low or medium speed 90-10 f-stops create (1:512 to 1:1024), while negative films about 10 or 11 f-stops absorb (about 1:1000 to 1:2000) - so big the difference is not anymore, at least not for color films.

unpleasant, however, is a phenomenon out in the titillating play of shadows on the lower end of the exposure latitude - Banding called the formation stage, clearly separated islands of different sounds that can occur in strips or blocks-like bounds and therefore very much disturbing than coarse grain at high speed film. Even in the shadows like the existing "color noise" is quite unattractive. So today is an improvement in the tonal range herbeizuwünschen much more than more pixels.

light value levels, f-stops (1 / 3) and exposure times

(highlighted in red
EV (EV) f-stops (in 1/3-stop increments) Exposure time
-4 22 1/2000

20 1/1600

18 1/1250
-3 16 1/1000

14 1/800

13 1/640
-2 11 1/500

10 1/400

9 1/320
-1 8 1/250

7,1 1/200

6,3 1/160
0 5,6 1/125

5 1/100

4,5 1/80
1 4 1/60

3,5 1/50

3,2 1/40
2 2,8 1/30

2,5 1/25

2,2 1/20
3 2 1/15

1,8 1/13

1,6 1/10
4 1,4 1/8

the "traditional" values are f-stop increments), the latitude of the 40D is about 9.5 EV, the Fuji Finepix S5 pro is as high as 10 eV and more.


camera exposure curves

Modern digital cameras already show a "film-like" exposure characteristic, which is attributable to the processing of raw sensor data (RAW) by software in the camera or on the PC. If you look at the so-called "raw data" in a RAW image file, without interpreting visual tools, but for a "linear" conversion to a TIFF file, this is clearly (See box diagrams). Such a "linear" conversion is possible with the in-house program "Digital Photo Professional (DPP) from Canon, or the freeware converter dcraw [7] . Won, the data presented from all stage lighting series, which each about an "f-stop (+ / - 1 EV, see above) were compared with the marked 0 EV exposure obtained on a gray card, in the range from -6 eV to + 4 EV (under-or over-exposure, sometimes -7 EV to +5 EV). It turns out that the sensor in the camera reacts almost linearly on the exposure.

for later playback of images on a monitor or printer, the data in this form, but useless. There are two reasons: First, these devices can not express the exposure range is shown, on the other disappear in the reduction to 8-bit RGB data, especially in the shade almost all the nuances (intermediates). In fact, the raw data are from these two camera models in a 14-bit data format before.

These nuances can be in the conversion into a 16-bit TIFF preserved, which is also useful if you then in an image editing program still plans to make further edits. As a final product but typically requires 8 bits per channel (particularly in JPEG files, which are intended for the web). For this Fundamental data is subjected to the conversion into an image file of a logarithmic conversion, the more reserved values for shadows and less for the lights. This also happens when the camera stores have a ready JPEG. This can also be seen on the curves in the diagrams.

a contrast ratio in order to convert f-stops, such as 1:10,000, use the base 10 logarithm of * 3.32, the results for log (10,000) * 3.32 = 13.28 stops! Such a thing hardly creates a film and a digital camera, but the human eye already. Rather, we would have at 1:4000 = 12 f-stops and light levels (EV LW or English) a chance, even with the eye should be able to capture contrast ratios of 100,000:1, or 16.6 stops at the same time. The conversion of stops in a linear brightness ratio (with each calculator) simple: Calculate the corresponding power of 2, so 2 ^ f-stops, such as 2 ^ 9.5 = 724th

brutality

The RAW formats (raw data) contains the digitized brightness value directly from the sensor, ie that which "comes back", if pushed forward to the analog sensor voltages with a certain gain. A doubling of the brightness value in the motif here, a double value (at least in theory). The values shown were obtained by a bracketing obtained, in which a gray card was taken.

Based on the measured exposure (0 EV) were determined by shortening the exposure time by up to 7 f-stops and by extending by up to 5 f-stop values for the various stops. In the conventional transmission of this absolute brightness data in an 8-bit data format (RGB, 3 x 8 or 24 bits per pixel) non-linear transformations are applied that correspond to a first approximation of a logarhitmischen scale.

The mean gray value in a motif (defined as a gray surface that reflects 18% of the incident light) should thereby be mapped to a value of 118 (ranging from 0 to 255) when it is anmisst in the admission and the exposure to + / - 0 EV stops. This value is slightly below the "middle" between 0 and 255 By contrast, the linear value for middle gray located much further in the lower part of the value space (about 20 based on 8-bit representation).

why should you when the exposure - exposure latitude normally put as much as possible in the upper range, where it is not at the expense of the tracing in areas important for the picture lights - on the histogram-read. As this are much more per f-stop values to distinguish between shades of gray (and shades) available than in the case of a short exposure.


HPM for more highlight detail

This is unfortunately contrary to the desire to provide a highly nuanced detail in the light to achieve. The first chart shows the direct (linear) response of the camera sensors, EOS 40D and 450D. Since the absorbed light intensity is doubled by doubling the exposure time when recording a gray card for EV-EV-stage to stage as well, the curves rise exponentially.

Vergleich lineare RAW-Konvertierung EOS 40D/450D - normal und HPM [8]
compared linear RAW conversion EOS 40D/450D - normal and HPM Vergrößern [9]

are seeing two bands of three curves: Left yellow (theoretical course at 0 EV), orange (450D) and dark green (40D) for an exposure at ISO 100, and further to the right blue (theoretical progress in under-exposure by -1 EV), red (450D) and green (40D) for the HP- mode (Tonwertpriorität) for alleged ISO 200 Shown are the respective "linear" from the RAW file values determined for different exposure levels.

The yellow curve shows the - more or less accurately applied - in theory shifted to the expected values for a linearly responsive sensor, so a doubling of the absolute values for each aperture setting, the blue curve the same values for one stop to the right (exposure).

The orange Curve of the EOS 450D is in the range of about +1 to +3 almost identical to the lights out it is slightly flatter, and in the shadow of something higher. The dark green line (EOS 40D) is in the shade with the 450D almost identical, resulting in the central area lights slightly higher values, but runs with the highlights a little flatter. At +5 EV clipping occurs here at a value read from 219th

curve sketching

The second curve band (blue: theoretical curve, red: 450D, green: 40D) for the HP mode, the curve of the 450D analogous to the exposure at ISO 100 and is the theoretical linear sensor response very similar to the curve 40D shows the a minimal increase at 4 EV then flattening curve to the exposure limit at about +5 EV is again something less steep than the 450D. rise later that the curves for the HP mode by about one stop general than at ISO 100 entlarft the "trick" the application by the Canon here - see text and the next chart.

The 450D exposed when measured on the gray card at 0 EV, according to the so-obtained sensor data on almost two thirds of apertures. The diagrams were recorded reduced their values to the exposure by 2 / 3 stop and appear in the central region, therefore, slightly smaller than the 40D.

Nevertheless, it provides in the lights return to higher values - their linear sensor curve is steeper and more the case as the theoretical curve, while the 40D a somewhat more pronounced flattening indicates that intensified in the HP mode significantly. The exposure values in the table to be at ISO 100 f/16 for 0 EV on the 40D 1 / 5 sec and the 450D 1 / 4 sec (or 1 / 10 versus 1 / 8 in the HP mode).


BACKGROUND

After release of the 40D guessed it soon became clear that the HPM or the recording mode "Tonwertpriorität" otherwise than under-exposure by one stop and "push" the sensor data with the lights gently running curve. This is achieved by that is set out amplifier before A / D conversion as ISO 100, the light meter of the camera but a sensitivity of ISO is pretended 200th Therefore, the linear values in the RAW file in the HPM 450D/40D consistently reduced by one f-stop and only reach the limit at about +5 EV, which occurs usually at 4 EV (clipping limit).

This explains also why it can be set at "Tonwertpriorität" no less sensitive than ISO 200 (default setting for the exposure), because the amp would be so set to ISO 50, ISO 100 HPM alleged that the hardware of the sensor, but not hergibt.

Vergleich lineare/logarithmische RAW-Konvertierung EOS 40D/450D - normal und HPM [10]
Comparison linear / logarithmic RAW conversion EOS 40D/450D - normal and HPM Vergrößern [11]

The second chart "Comparison of linear / logarithmic RAW Conversion" shows the resulting curves at implementation in an image file (8-bit RGB). Right again, the linear curves - red and orange for the 450D, turquoise and blue for the 40D. They are clearly separated by an aperture stop (in HP mode a step underexposed). It calculates the software (in this case from Canon DPP) remains in the shadows and midtones almost exactly the same values, but the orange curve in the highlights (+3 to +4 EV) is well below the red and continues up to the clipping limit (255) continued to +5 EV.

Thus one gains about one stop over exposure latitude and a (slightly) softer tracing of lights. However, in the shadows is also about one stop momentum lost because the values go down more in the noise.

More bits for better shadow

The exposure latitude of digital cameras is limited by various factors. The values that can be useful to read from an electronic sensor to be bounded from above by the saturation of the sensor elements. More incoming photons can not increase the stored charge. go down towards the After deleting the stored charge before reading and after exposure in addition electrons stored in the noise gradually under that arises by including thermal effects.

Another confounding factors, the noise of the readout amplifier itself must finally be the downstream A / D converter (Analog to Digital) is also able to convert the voltage difference in clearly distinct digital values. Also, the A / D converter can add noise, especially at small values. In addition, the A / D converter only a limited value range (usually 12 bits, with newer cameras such as those mentioned here 14 bits), in which the scanning of the sensor elements be pushed by different gain (ISO) read voltages.

suppressed in the diagrams of the fact, that occur at very low exposure levels barely distinguishable figures and they remain simply 0, and high exposure levels do not exceed a certain limit will also increase if the exposure continues. Since the linear values of exposure level of exposure level in the shadows move together more closely, an extension from 12 to 14 bits with a gain of two exposure levels down with a similar tonality value (differentiation of shades) which - assuming the noise of the sensor or Amplifier makes it destroyed again. And you can also use these profits only if one uses a 16-bit destination format, or before conversion to JPEG or another 8-bit format, for example, making an increase of the shadow.


Critical motifs

Testvorlage zur Untersuchung des Tonwert-Prioritäts-Modus mit kritischen "Lichtern" [12]
test pattern to investigate the tone-Priority mode with critical "lights" Vergrößern [13]

For the tests we have a special test pattern with very high contrast set up, among other things, made of black velvet (as background), a color chart with gray and color stairs and shiny objects (Two Christmas balls, a furniture knob and two with gold metallic paint garden sprayed bullets made of plastic) is. The range of contrast between the black velvet and the lighter highlight is slightly above 9.5 f-stops between velvet and the dim light shine just 8.5 stops. That should be a digital camera that is actually still can cope.

However, the exposure range is not used in any case until the very end - which makes sense, because in the shadows threatening stage tone reproduction and noise in the highlights or even color fading / damage (clipping) on reaching the limit. Thus, "normal" shots of this sample document without further run post-processing in the shade and / or erode in the highlights. To determine

the "normal" or different exposure and contrast range as a whole, we have used a gray card with the pictures. as here - - A problem of such motives, if the distance of the lights from the mean is very high gray (here +5.3 stops for the great highlights of the gold balls), because then you have to underexpose quite strong, a / damage of Lights to avoid. This is "normal" areas too dark and need to be raised in the subsequent image processing - basically, what also makes the drive mode "Tonwertpriorität.

Detail aus einer Montage zweiter Aufnahmen des Testmotivs bei jeweils -0,6 EV, oben im "Normalmodus" bei ISO 100, unten HPM bei ISO 200. Die violetten Linienstücke verdeutlichen die Grenzlinie zwischen den beiden Aufnahmen. [14]
detail of a montage of the second shooting at each test subject -0.6 EV, up in the "normal" mode at ISO 100, ISO 200 at the bottom HPM The purple line segments illustrate the boundary line between the two images. should Vergrößern [15]

When the shots you look at the histogram in the camera and watch the flashing overexposure warning. This is especially important to visual lights, which should not erode or should have correct drawing and colors, such as sky with clouds.

Belichtung nach Graukarte mit Überbelichtungsanzeige in den Lichtern (Adobe Camera RAW) [16]
exposure on the gray card with over exposure display in the highlights (Adobe Camera RAW) Vergrößern [17]

In the adjacent diagram for overexposure indicator or area histograms (screendumps of Adobe Camera RAW from the Photo Suite CS3) are over-exposed areas marked by red warning color (screendumps of ACR). Very nice is also possible in ACR or in Photoshop histogram for arbitrary cropping. So you can check specific example highlights the Golkugeln.

2/3 Blendenstufen unterbelichtet und HP-Modus. Nur noch die beiden großen Glanzlichter auf den Goldkugeln clippen. [18]
underexposed 2 / 3 stop steps and HP mode. Only the two great highlights clipping on the gold balls. Vergrößern [19]

When shooting in HP mode generates Adobe Camera RAW (green line), no gentler, but even a steeper curve than when shooting in normal mode - ie is almost "counterproductive". The curve of DPP (red), however much smoother curve in the lights on. Between +4 and +5 EV uses clipping.

The EOS 40D can use the "Tonwertpriorität" to create one or more of the custom shooting modes on the Mode Dial. With the 450D you have unfortunately always go to the menu of so-called custom functions to the on or off, which is quite cumbersome. Always on, one should not let this mode too, because it brings benefits only in high-contrast subjects with a high proportion of important picture lights, otherwise they will worsen the noise in the shadows.

Vergleich der Konvertierung von Digital Photo Professional versus Adobe Camera RAW [20]
comparison of the conversion of Digital Photo Professional (DPP) versus Adobe Camera RAW (ACR) Vergrößern [21]

who prefers to take in RAW format and the images nachzubarbeiten itself (rather than up to the camera and use their ready JPEGs), only with Canon's DPP (Digital Photo Professional) to be happy. ACR from Adobe is indeed the Brightening the image by one stop from about right, but not the gradation of light to soften it - the shots in the HPM are on the contrary, even "harder" than without. Here you can indeed intervene manually, but it's more practical to dispense with this mode. Dear when shooting by hand if necessary by about one stop under exposed and then offset this by raising the brightness.

John Leckie

Comment [22]

( cm [23] / c't)

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